Barack Obama was in his last year of high school in 1979 when hip-hop broke out of the ghettos of New York on its way to becoming a national phenomenon. He is in many ways a child of hip-hop, but sometimes a reluctant one. Even as the president-elect claims to “love hip-hop” he has spoken out against its more explicit lyrics. When Ludacris released “Obama’s Here” a few months ago, the Southern rapper extolled the future president’s credentials while viciously putting down Obama’s rivals. An Obama spokesman issued a stinging rebuke: “While Ludacris is a talented rapper he should be ashamed of these lyrics.” Yet Obama has been embraced by the hip-hop community like no presidential candidate in history. Bill Clinton was the first president to forge a bond with the ’60s and ’70s classic-rock generation (even persuading Fleetwood Mac to reunite and perform at his inaugural ball in 1993). Obama now commands the respect of the voters who came of age when hip-hop transformed pop culture.